With the resurgence of film photography comes the inevitable attempts to mix classic photography with digital convenience. Was one of those attempts to create a digital back for existing film cameras, but the original crowdfunding campaign didn’t reach full funding despite the hype.

Well, I’m Back is now, well, back — and this time. The I’m Back Pro attempts to bridge the film-digital gap by converting old 35mm shooters using a digital back for film cameras.This is I’m Back’s third Kickstarter campaign after an earlier one didn’t reach full funding but it did successfully deliver a 3D-printed system designed from for the first campaign. Now, the Italy-based startup is aiming to reanimate more old film cameras using a mass-produced camera back.A film camera’s lens typically sends light to a film strip at the back of the camera, passing through a focusing screen. Instead, I’m Back takes a photo of that focusing screen to create a digital image. Earlier prototypes used a large sensor to capture the image, but the solution was an expensive one.

The I’m Back Pro uses a 16-megapixel Panasonic-made sensor to capture an image of the focusing screen. Using different back covers, the digital back can properly align with a number of 35mm camera models, turning the camera into a digital shooter.Converting a film camera creates both a number of new features and renders other options incompatible. For starters, the digital back allows a traditional still-film camera to shoot video. The latest Kickstarter doesn’t detail what controls are left out, but the previous model had only the shutter release and the aperture control on the lens. The shutter release has to be set to “bulb” to use the system, holding the release for two to three seconds to take a photo. The company did say that the latest design improves on vignetting.While the previous version used a Wi-Fi connection and a smartphone to display the images, the I’m Back Pro has a small built-in screen to view the shots.The I’m Back system has a number of dedicated back types designed to fit with the most popular film cameras, including models from Nikon, Canon, Pentax, Olympus, Minolta, Praktica, Contax, and Diana cameras.

A universal back cover allows the accessory to fit “most” film cameras, the designer says.The developers are a bit vague on the specifications — the back uses a 16-megapixel sensor developed by Panasonic, but details on the sensor’s size are not included. While the actual film is responsible for a big chunk of the image quality and aesthetic coming from old photos (along with whatever old lens is paired with the camera), it’s unclear if I’m Back’s sensor attempts to imitate the film aesthetic. The focusing screen, however, does introduce film grain into the images, according to the developers.Film hasn’t fizzled out as photo enthusiasts choose the traditional medium for both the aesthetic and the slower process, which film fans say helps enhance creativity, thanks to the control system, limited number of shots, and lack of an immediate way to view the photos. The I’m Back campaign joins other attempts to mix the best of film and digital, including and the, as well as Polaroid’s line of. Other don’t mix with digital but add modern features to old cameras. Notably, I’m Back aims not to make an entirely new camera, but tries to keep the old ones around longer., early backers could pick up the backing system for.

Dec 26, 2019  Best Digital Cameras for 2020. Our editors hand-picked these products based on our tests and reviews. If you use our links to buy, we may get a commission.

Funding is open until April 5.Updated on March 13: Included the latest version and the new Kickstarter.Editors' Recommendations.

Thank you for
your interest in Re-35.

Some good news:

The feedback to Re-35 has truly been overwhelming. It seems Re-35 really addresses a need and people worldwide can’t seem to wait to get their hands on our 'product'.

The bad news:

Some things are too good to be true!

Re-35 does not really exist. We (the design company Rogge & Pott) created Re-35 as an exercise in identity-design. We invented the 'product' because it was something, that we had wished for for a long time (as many others).

We launched the website and sent out 'press releases' on April first - thinking, that the date would make clear, that Re35 is just wishful thinking - a classic April Fools Prank!

A lot of people didn’t hear about Re-35 until after April first, so we added this disclaimer

However:

All this attention Re35 ist getting might actually be good for something. It proves, that there is a gigantic community of photographers with analog equipment out there that is desperately waiting for a product like this to come along- and we are looking into the possibilities.

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We hope there are no hard feelings
and that you are not too disappointed.

And thanks for all the positve feedback!

Cheers from Germany.

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Henning Rogge

Rogge & Pott GbR

Eppendorfer Weg 95a
20259 Hamburg

Telefon: +49 40 48401180
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E-Mail: design(at)roggeundpott(dot)de
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Henning Rogge-Pott und Tanja Pott

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